Hi there!

I am a film composer, spatial audio artist, and sound engineer. My musical work explores the intersection of composition and improvisation, often engaging with themes of sound synthesis, music technology, and live performance. I blend elements of orchestral, acoustic, and electronic music to create distinctive and immersive scores, as well as evocative and richly textured compositions. 

My most recent work includes a collaboration with Grammy Award-winning composer Sam Slater (known for Chernobyl and Battlefield 2042) and audiovisual artist Theresa Baumgartner. Together, we developed an audiovisual installation titled "I do not wish to be known as a Vandal". The piece was exhibited at Berghain (Berlin) during CTM electronic music festival, utilizing a complex speaker array. I was responsible for engineering the immersive audio setup and mixing the spatial audio content. 

As a composer and producer, I have collaborated with acclaimed bands (e.g., Pinguini Tattici Nucleari – Sony Music), music festivals (such as Ableton Loop, CTM, and MIRA), and film festivals including Krakow, Marseille, Ghent, and the Venice Film Festival. My credits include original soundtrack composition, sound design, and audio post-production for films such as Like Heaven Without God (2025), Vlinderman (2023), and Fake Address (2023). 

I hold a BA in Sound Engineering and a joint MA in Music for Screen from KASK Conservatory and Conservatorio G.B. Martini in Bologna.